
Ouverture spirituelle
2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani and strings
Programme notes
This short composition opus 120 bears the title of overture, as it means exactly what it does, that is to “open” a symphonic concert. The French title pays homage to French being the international language in the 18th c., the period of the Enlightenment in Europe. Every musical style has its own code. In this composition I follow the codes of musical classicism in terms of instrumentation, structure, bar phrases, dithematism and most importantly in the manner of expressing emotions. Horizontally the music unfolds within periods of eight bars punctuated by the timpani. If you place a mirror horizontally on pitch of middle D, the music evolving above or under that pitch D are an exact reflection of each other. In French the adjective “spirituel” relates to all that what the human spirit conceives, to the human spirit, to the religious belief of the soul and to fine humour. With sonic pirouetees I have endeavoured to express these caracteristics. May this manifestation of the human spirit elicit a smile on the listeners’ face :-)
Handwritten sketches and drafts
to be found in chapter XIX of the white cover, A3 size, 600 pages sketchbook
Completion of the composition
15-X-2018
Score follower
link #1
Recording
link #2 audio of the premiere

Duration:
7'
Composed In:
2018
Dedicated to:
Parts:
For score and parts, please email <rc@robertcasteels.com>
First performance:
22.03.19 Singapore Symphony Orchestra conducted by Andrew Litton, Victoria Concert Hall, Singapore
First performed by:
Commissioned by:
979-0-9016545-7-0 (full score) and 979-0-9016545-8-7 (parts)
Download Link: